This portfolio forms part of an ongoing practice-based inquiry into London’s altered air. Through aerambulation, I walk the city as both witness and instrument. The method integrates calibrated movement, photography, sound recording and environmental sensing. It does not seek to capture pollution as spectacle but as a condition.
London’s atmosphere often appears clear. Yet particulate matter, nitrogen oxides and volatile compounds persist beneath this visual normality. Aerambulation works within that perceptual gap. Images emerge through duration, repetition and embodied exposure. They register fluctuation rather than events. They attend to thresholds: between visibility and invisibility, measurement and sensation, infrastructure and breath.
